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![]() March 25 Music & Arts Community Center 13411 Shire Ln, Fort Myers Gulf Coast Chamber Orchestra is bringing a delightful evening of classical works to Fort Myers on March 25. The updated program features Beethoven Leonore Overture No. 3, Debussy Petite Suite arr. Chamber Orch and Dvorak Symphony No. 7 in D minor, Op. 70. Tickets Start at $35! BUY TICKETS Program UPDATE Beethoven Leonore Overture No. 3 Leonore No. 3 tells this story. It traces the path from darkly troubled beginnings to an anticipation of the aria in which Florestan—chained, starved, deprived of light—recalls the happy springtime of his life; from there to music of fiery energy and action, interrupted by the trumpet signal (heard, as in the opera, from offstage); and finally to a symphony of victory. Leonore No. 3 is the distillation of the Fidelio idea. It is too strong a piece and too big, even too dramatic, to be an effective introduction for a stage action, something that Beethoven realized almost at once. It does, however, stand as one of the great emblems of the heroic Beethoven, a potent and controlled musical embodiment of a noble humanistic passion. —Michael Steinberg ![]() MORE INFO Debussy Petite Suite arr. Chamber Orch The Petite Suite, L 65, is a suite for piano four hands by Claude Debussy. It has been transcribed many times, most notably in an orchestral version by Debussy’s colleague Henri Büsser. The suite, which was composed from 1886 to 1889, was first performed on 2 February 1889 by Debussy and pianist-publisher Jacques Durand at a salon in Paris. It may have been written due to a request (possibly from Durand) for a piece that would be accessible to skilled amateurs, as its simplicity is in stark contrast with the modernist works that Debussy was writing at the time. ![]() MORE INFO Dvorak Symphony No. 7 in D minor, Op. 70 The Symphony No.7 by Antonín Dvorak is a work of unprecedented expressive power. It was composed at the height of his powers, and its composition was marked by a number of unusual features. The symphony’s three movements are performed without a break, and the overall form of the piece reflects its programmatic content: it begins with a long, solemn introduction that depicts the “dark forest” mentioned in the composer’s program note; this is followed by a lively scherzo which represents the two main characters’ escape from their pursuers; finally comes a lyrical slow movement (the third movement) depicting the prospects for happiness that await them. ![]() MORE INFO 239.277.1700 | GulfCoastSymphony.org ![]() ![]() ![]() ![]() ![]() ![]() |